INGE 225 - William Theatre Festival Dec. 05 Tape 5

Item

Official Name
En-US INGE 225 - William Theatre Festival Dec. 05 Tape 5
Description
En-US NYC tape Walter Willison, Adam Kraar, John Lloyd Young
Place Name
En-US New York, New York
Internet Media Type
En-US video/mp4
YYYY-MM-DD
En-US 2005-12
ISO or Range
En-US 2005-12
transcript of
0:00:00.080,0:00:05.680
I are from that and Margaret's gone. Uh Tom isn't 
there anymore. I mean, he's alive, but he's not

0:00:05.680,0:00:10.960
there anymore. Of course, we're not there either, 
but but really the people that were put that first

0:00:10.960,0:00:17.040
one together, which is Mar Margaret and Jerry and 
and Martha and Jeff and I, the the other three

0:00:17.040,0:00:23.120
are they're gone. And Helen and Joan and Helen. 
That's my other thing, of course, I was going

0:00:23.120,0:00:28.320
to say is because Helen was Helen contributed to 
it, you know. I mean Helen was if it wasn't for

0:00:28.320,0:00:35.440
Helen it couldn't have happened. So uh she was so 
nice. I mean she was a very kind lady you know we

0:00:35.440,0:00:40.560
used to go and see her. We had so much fun. We 
were working on bus stop and we became such good

0:00:40.560,0:00:45.760
friends that we would just go over and sing for 
her friends. you know, she wanted she would invite

0:00:45.760,0:00:49.680
us over and we would she would the ladies that 
lived in the retirement community where she lived

0:00:49.680,0:00:54.240
and we would go over and Jeff and I would, you 
know, bring some bring a singer, you know, and we

0:00:54.240,0:00:58.960
would do songs from the show and she was like she 
was like so proud of it. She would like show off,

0:00:58.960,0:01:03.360
you know, and she came to our first show out there 
was called Front Street Gaes Dodge City's Hottest

0:01:03.360,0:01:08.960
Review which took place in Dodge City, Kansas. 
So, we stayed in uh in Kansas territory for that.

0:01:08.960,0:01:15.200
She came to that and she was uh she was just a 
really nice lady. A really nice lady. And it was

0:01:15.200,0:01:25.280
so clear to see her in all of Bill's plays. 
You know, you can clearly see I mean Bill's,

0:01:25.280,0:01:33.040
you know what I I've said to Jean that fascinates 
me is it's so clear to me, not to get dark, but

0:01:33.040,0:01:38.800
it it it's so clear to me that if you read Bill's 
plays that he was going to commit suicide. It's

0:01:38.800,0:01:45.760
like so obvious because in every single play if 
there isn't a suicide there's talk of suicide and

0:01:45.760,0:01:51.200
even the first draft of bus stop do you know there 
was a suicide in bus stop in the first version of

0:01:51.200,0:01:59.520
bus stop uh which is in at the end of the second 
act in the play where now Dr. Lyman goes off and

0:01:59.520,0:02:04.560
then the sheriff comes in and says, "Christ, 
somebody puked all over the back house." Well,

0:02:04.560,0:02:08.800
in the very first version, the sheriff came in 
and said, "Christ, there's blood all over the

0:02:08.800,0:02:15.600
back house." And Dr. Lyman had killed himself. He 
had taken a knife and killed himself. So the third

0:02:15.600,0:02:22.240
act of the play aside from the Bo Sheree and 
the other stories became was also a police the

0:02:22.240,0:02:27.920
sheriff investigating what everybody saw and was 
this a you know was this a murder or did he kill

0:02:27.920,0:02:34.080
himself? Uh clearly it wasn't right for the piece 
but his in his first draft he had that suicide

0:02:34.080,0:02:41.760
and so many things he talked about suicide. So 
I said to Gene, I said, you know, nowadays if

0:02:41.760,0:02:48.800
you read somebody's work and you saw so much focus 
on suicide, you would say, this person, you know,

0:02:48.800,0:02:53.200
really, we better help this person. We better have 
an intervention or do something because clearly

0:02:53.200,0:03:00.320
this is where this person's life is leading. But 
in those days, you know, in the 50s, 60s, nobody,

0:03:00.320,0:03:06.560
we didn't have Oprah, we didn't have um, you know, 
self-help books, we didn't have Dr. fill or any

0:03:06.560,0:03:13.520
of that stuff. And uh somehow nobody noticed. And 
yet if you read all that work, you know, as a body

0:03:13.520,0:03:21.680
of work, you see it in everything he wrote, the 
published and the unpublished. Uh it's very sad,

0:03:21.680,0:03:27.120
you know, and also what you see in the books. It's 
so amazing to me that that when I first went to

0:03:27.120,0:03:33.200
Independence, uh well, when Helen told me about 
Independence, how she didn't want certain things

0:03:33.200,0:03:38.080
to be published or to be in the library because 
she was afraid that they would um hurt people,

0:03:38.080,0:03:42.160
you know, and people how they didn't want to be 
identified with the books and didn't want them in

0:03:42.160,0:03:47.360
the library. By the time we went there for the 
inch festival, people were coming up to me and

0:03:47.360,0:03:52.800
saying, "Oh, hi. I'm Bill's Rosemary. Oh, hi. I 
was this. I was this person. I was that person."

0:03:52.800,0:03:59.280
And everybody seemed to like glory in the fact 
that they were actually in these in these plays

0:03:59.280,0:04:02.880
and in the in the novels. And I thought, isn't 
that sad that that couldn't have happened in

0:04:02.880,0:04:07.040
Bill's lifetime that they could have appreciated 
the fact that he wrote about them? You know,

0:04:07.040,0:04:14.960
I'm just reading um Vivian Vance's um biography 
and she was also a close friend of mine. In fact,

0:04:14.960,0:04:21.280
Viv was going to play Grace in the bus stop in 
the musical bus stop that Josh Logan version that

0:04:21.280,0:04:27.040
I was going to do with Bernardet as an actor and 
play Bo. Viv was going to play Grace and she had

0:04:27.040,0:04:34.080
been a childhood friend of um of Billing and in 
one of his major works there's a major character

0:04:34.080,0:04:42.960
that is Vivian that's based on that's based on 
Viv Viv and um in fact in the novel it says the

0:04:42.960,0:04:46.640
missing it talks about the biography talks 
about a missing two years of her life. Well,

0:04:46.640,0:04:52.480
the missing two years of her life is what he 
wrote about in that in his work. And um but

0:04:52.480,0:04:59.760
they were both they were they were really really 
good friends. She also had a family that was very

0:04:59.760,0:05:06.160
um troublesome. My mother was very religious. 
Told her she was going to go to hell. You know,

0:05:06.160,0:05:11.760
she she was a sinner if she was an actress. And 
all these terrible things would happen and and

0:05:11.760,0:05:16.320
um so had a lot of psychological problems. and 
went to therapy for a long time. Outwardly she

0:05:16.320,0:05:20.480
was Ethel Mertz and she was happy. She was a 
big Broadway star before she was Ethel Mertz

0:05:20.480,0:05:26.560
and she was like happy golucky and all these 
wonderful things but inwardly um there was that

0:05:26.560,0:05:33.840
same suppression that Bill Ling writes about and I 
saw it in Helen too. you know, I saw it was a time

0:05:33.840,0:05:43.280
and an error when they an an era when they grew 
up, I think that um things weren't talked about,

0:05:43.280,0:05:52.000
you know, and I once wrote the um liner notes for 
a a recording. It's an interesting story actually.

0:05:52.000,0:05:56.640
I was in a restaurant in New York eating and I 
was talking about Bill Lingge and I was talking

0:05:56.640,0:06:02.800
about bus stop. This is in the 80s, early 80s, 
82 I guess. And this woman at the next table

0:06:02.800,0:06:07.280
turns to me and said, "Oh, you know, are you 
in the recorded record business?" And I said,

0:06:07.280,0:06:13.440
"Yeah." She said, "Oh, I am too. I work at 
Kadaman Records." And uh she said, "You know,

0:06:13.440,0:06:19.040
that name sounds familiar to me." She said, 
"I think I saw something in the back room that

0:06:19.040,0:06:25.200
uh that has that name on it." So she we exchanged 
numbers and the next day she called me and said,

0:06:25.200,0:06:31.440
"I found this box." She said, "All it says on 
the side is in. we don't know what it is. Can you

0:06:31.440,0:06:36.960
identify it for us? So, she sent me the tapes 
and it turned out to be Bill reading, you know,

0:06:36.960,0:06:41.040
you've heard the records, right, where he reads 
uh he reads People in the Wind and he reads Come

0:06:41.040,0:06:48.160
Back Little Sheba. So I identified it and I wrote 
the the liner notes and um in the liner notes what

0:06:48.160,0:06:57.600
I said is something I still believe. Um and that 
is that whereas Tennessee was very blatant about

0:06:57.600,0:07:04.160
the sexuality and very blatant about you know 
all the issues he was dealing with and whatever

0:07:04.160,0:07:10.880
uh whatever homosexuality any kind of devian 
whatever it was he was like pretty much right up

0:07:10.880,0:07:20.480
front. Uh whereas Ine all ines characters are very 
suppressed and it's very um under the surface. So

0:07:20.480,0:07:26.560
it's there if you want to get it. It's not there 
if you don't want to choose to see it. And that's

0:07:26.560,0:07:31.520
what I think is great about his writing is that's 
what life is. I mean, that's what people are like,

0:07:31.520,0:07:39.120
you know, and uh he sort of opened the closet 
door for all these people in the Midwest and

0:07:39.120,0:07:46.720
exposed their their secrets and their their 
sexuality. And I love that. I love that. I mean,

0:07:46.720,0:07:54.960
I I think he is still and maybe now that you know, 
last summer bus stop got incredible reviews at the

0:07:54.960,0:08:01.280
Shaw Festival in Williamstown. And I hope that 
once again that he can be recognized as one of

0:08:01.280,0:08:06.560
our greatest living not living one of our greatest 
American playwrights living in the 1950s because

0:08:06.560,0:08:11.200
he was I mean he was recognized as that then. He 
also wrote a lot of things that I think in the

0:08:11.200,0:08:18.720
unpublished works that nowadays would not be 
shocking to anybody and our you know standard

0:08:18.720,0:08:25.920
operating procedure. I mean but in those days they 
were quite scandalous. um the psychology he went

0:08:25.920,0:08:34.560
into about people, you know. Um from what I know 
about him, he was a very kind man. I know that

0:08:34.560,0:08:39.520
uh Jerry told me quite a bit about him. I know 
when I met him, he was a very kind man, but I was

0:08:39.520,0:08:45.440
young, so you know, you're like, "Oh my god, it's 
William. I can't believe it." Uh, and as an adult

0:08:45.440,0:08:52.000
over the year, that's what's also been interesting 
in re-examining Bus Stop is my perceptions of it

0:08:52.000,0:08:58.080
as a 30-year-old when I first started working on 
it. Totally different from my perceptions as a

0:08:58.080,0:09:06.320
58-year-old man and also totally different as in 
the perception of the time that's gone by. you

0:09:06.320,0:09:13.760
know, um, Helen, well, you know, you know, all the 
characters she was. I mean, she's Renie. She's,

0:09:13.760,0:09:18.640
you know, she's all those little girls. She's 
all those, you know, troubled little girls. And,

0:09:18.640,0:09:31.520
um, she really loved him. She really, really 
loved him. and she really wasn't equipped to

0:09:31.520,0:09:40.880
deal with his problems. I mean, his issues. And 
I think a lot of those issues, I'm sad to say,

0:09:40.880,0:09:47.440
came from growing up in that environment, 
in that at that particular time, you know,

0:09:47.440,0:09:55.040
where where everybody was supposed to conform. You 
know, somebody from Independence quotes in in in

0:09:55.040,0:09:59.600
Vivian Vance's book, they say, "Oh, well, all his 
plays were lies. Nobody was like, this is the this

0:09:59.600,0:10:05.360
is the ironic statement in this book that isn't 
meant to be ironic, but I find quite ironic." Now,

0:10:05.360,0:10:11.200
we know that Viv was, you know, had psychological 
problems her entire life. Vivian Vance,

0:10:11.200,0:10:16.160
um, which she readily spoke about. You know, she 
was at the end of her life, she was doing a lot to

0:10:16.160,0:10:20.720
help pe me mental illness because she went through 
therapy her whole life. She had breakdowns. He

0:10:20.720,0:10:25.280
should have had nervous breakdowns. Um, Bill, 
we know that he was in and out of institutions

0:10:25.280,0:10:31.360
and dealing with his alcoholism and uh and 
dealing with guilt, you know, over things

0:10:31.360,0:10:37.600
that he shouldn't have been guilty about. Um, 
but he wrote really about these people. Well,

0:10:37.600,0:10:42.800
this woman from Independence, I can't remember 
her name, says in this book about Julian Vance,

0:10:42.800,0:10:47.600
well, none of these none of these stories about 
these people in his stories are true. you know, we

0:10:47.600,0:10:52.960
all we were just normal kids, you know, doing the 
exact normal thing and we were nothing like those

0:10:52.960,0:10:56.880
people in his stories. You've got to remember when 
you're reading these plays that this, you know,

0:10:56.880,0:11:00.560
he may say that, but this is the same independence 
that produced a Vivian Vance and a William

0:11:00.560,0:11:13.280
In. Do you know what I mean? Hello. Of course. 
Yes. And hello. So, um, anyway, would you like

0:11:13.280,0:11:20.400
to know? But as you said, it was it was an era 
more so than an individual city. I mean, oh,

0:11:20.400,0:11:25.200
it was a whole era of suppression, the McCarthy 
era. Are you kidding? Everybody around the I mean,

0:11:25.200,0:11:30.080
I look back at my own family and my parents 
were from Ohio and they moved to California

0:11:30.080,0:11:34.800
and my father who who's a wonderful man who passed 
away in April. In fact, one of the greatest things

0:11:34.800,0:11:39.600
about independence was for a couple years my 
parents were able to come and it meant so much to

0:11:39.600,0:11:46.880
them and they got along with the community so well 
because they grew up in Ohio and it was a similar

0:11:46.880,0:11:51.920
very similar town, very similar community. So they 
got along just great. I mean they loved Margaret,

0:11:51.920,0:11:57.600
they loved those people and um they loved 
everybody. They had a great great time and um so

0:11:57.600,0:12:03.920
yeah it was the whole country was suppressed. the 
whole country was living in this this fictitious

0:12:03.920,0:12:09.360
world where we don't talk about the fact that 
we have a god as a president and who and Kennedy

0:12:09.360,0:12:13.920
but he's also slipping girls up the back stairs 
you know and and sleeping with Marilyn Monroe we

0:12:13.920,0:12:18.320
don't talk about the fact that Marilyn Monroe was 
probably murdered most likely we don't talk about

0:12:18.320,0:12:25.360
the fact or we didn't talk about the fact you know 
that Judith exer got pregnant by Kennedy um I mean

0:12:25.360,0:12:32.000
none of that stuff was now I think it's maybe too 
much now I think there's a too much of let's be

0:12:32.000,0:12:36.880
open and let's let's write about our scandals 
and let's write about our sexuality. Let's talk

0:12:36.880,0:12:41.360
about more information than I need to know. More 
information than anybody needs to know and you

0:12:41.360,0:12:47.200
know and Tom Cruz should keep his mouth shut and 
things like that. I mean but but during the 50s

0:12:47.200,0:12:53.200
yeah nobody talked about these things and that's 
why I think Bill did such a great job of capturing

0:12:53.200,0:13:00.000
the reality of people. I mean look at look at Doc 
and Lola. I mean those are so real. I mean, you

0:13:00.000,0:13:04.560
know those people and and you know that's his you 
know who those people are right that's really his

0:13:04.560,0:13:10.560
aunt in Witchah in Witchaw his aunt and his uncle 
who are also in dark at the top of the stairs so

0:13:10.560,0:13:14.480
amazing to me when people write about William and 
they talk they want to write you know they write

0:13:14.480,0:13:20.400
biography things are in other books about him the 
biographies write in the plays I mean he always

0:13:20.400,0:13:26.720
wrote in in all the most of the short stories and 
in the plays they are really about real people I

0:13:26.720,0:13:30.960
doubt that he ever really made anybody up from 
scratch match. I know that he knew those people

0:13:30.960,0:13:37.840
cuz they're so real and they recur. I mean, the 
aunt recurs, you know, his mother in dark at the

0:13:37.840,0:13:43.040
top of the stairs, a little boy in dark at the top 
of stairs. There's his autobiography, you know,

0:13:43.040,0:13:49.840
um or at least the first part of it. Uh in the 
older plays, he always he always the Virgil

0:13:49.840,0:13:55.760
character. This is something I love. This is 
something I talk about when we work on bus stop.

0:13:55.760,0:14:07.200
Um, I think that what I what Jerry Lawrence and I 
used to sort of uh raise our eyebrows at is there

0:14:07.200,0:14:13.600
was a lot in independence once they were open 
about talking about Bill's homosexuality. It

0:14:13.600,0:14:18.800
suddenly became too much of an issue and suddenly 
pe all people you would say what do you know about

0:14:18.800,0:14:24.320
we image and they would say well I know he was a 
homosexual. Well, you know, as Richard Chamberlain

0:14:24.320,0:14:28.400
said, you know, if somebody tells you they're 
homosexual, all it means is that if they're

0:14:28.400,0:14:34.320
having sex, it will probably be with somebody of 
the same sex. That's all it means. You could be

0:14:34.320,0:14:39.440
a heterosexual and have a torture chamber in your 
basement, you know, and do all kinds of perverse

0:14:39.440,0:14:44.800
things, but to society, if you're a heterosexual, 
fine, that's that's totally acceptable. You're

0:14:44.800,0:14:50.800
a heterosexual. that somehow the purest maybe a 
homosexual has the most pure relationship but oh

0:14:50.800,0:14:55.040
my god it's under this dark cloud. So I was kind 
of shocked there was so much focus on this and

0:14:55.040,0:15:00.240
even people who gave lectures you know they he's 
homosexual he's a homosexual but that's he may

0:15:00.240,0:15:06.560
have been a homosexual but that's not but that 
has nothing to do with what he was about there

0:15:06.560,0:15:13.280
are any number of great playwrights Stephen 
you know writers Steven you know Alred Albby

0:15:13.280,0:15:17.120
certainly doesn't mean anything there also it just 
it's like saying a straight writer can't write

0:15:17.120,0:15:21.360
about homosexuals because he's straight or she's 
straight you know it's ridiculous so I felt there

0:15:21.360,0:15:29.680
was too much emphas emphasis on on that aspect 
of Bill. However, in the plays, what I think is

0:15:29.680,0:15:38.720
amazing is that he really did write about when 
I was at Josh's one day, Josh Logan's one day,

0:15:38.720,0:15:42.880
Josh got a phone call from Bill and of course 
we're working on bus stop because we what we

0:15:42.880,0:15:47.680
did for those first six months was we would do 
presentations for David Merrick and for Roger

0:15:47.680,0:15:52.240
Stevens and the producers who would be involved 
in producing the show. And so I was there quite

0:15:52.240,0:15:57.360
a bit and Josh would work on the script and sort 
of like try me and we it was fun. I mean we had

0:15:57.360,0:16:04.720
a great time and Bill was constantly calling 
from California with ideas and and input and

0:16:04.720,0:16:10.000
uh he called one day and Josh was in his little 
office over there and Josh came out and said who

0:16:10.000,0:16:15.840
I love dearly by the way too um who also was a 
manic depressive who had other issues. Well, Josh

0:16:15.840,0:16:21.280
came out and said, uh, um, can you believe that, 
Billing? He keeps trying to tell me that Virgil

0:16:21.280,0:16:26.880
is a latent homosexual. Now, can you believe that? 
And I just thought it was so funny because Jo Josh

0:16:26.880,0:16:31.360
is talking like it's a real person. You know, 
first he's like, can you believe he said that

0:16:31.360,0:16:36.240
about him? Well, that's impossible. And me and 
then on the other side of the coin, Billing wrote

0:16:36.240,0:16:40.880
the character. So, Billing says, well, you know, 
really Virgil's a late homosexual. Then probably

0:16:40.880,0:16:49.440
he is because Bill Ling wrote the character. and 
so skillfully and so beautifully and so tastefully

0:16:49.440,0:16:55.360
and so truthfully and that's Billing you know 
Dr. Lyman is Billing is the alcoholic side of

0:16:55.360,0:17:02.080
Billing quoting Shakespeare. Um but Billing but 
Virgil's relationship with B is very much like

0:17:02.080,0:17:12.160
certain relationships that William had in his real 
life with some now very well-known actors. And

0:17:12.160,0:17:19.120
uh and then he proceeded to elaborate on that 
relationship in other plays. Each play that became

0:17:19.120,0:17:23.760
a little more obvious, a little more obvious. And 
finally, just right by the time he gets to where

0:17:23.760,0:17:30.320
his daddy, it's the same relationship with the 
guy except the guy is is openly is openly gay.

0:17:30.320,0:17:35.360
And I thought that was pretty daring for the time. 
I thought that was very very daring for the time,

0:17:35.360,0:17:40.960
you know. I think it's very kind of daring now. 
And it's kind of better than what they write now.

0:17:40.960,0:17:48.560
When everybody writes these characters, you 
know, he wrote them, he made them very real.

0:17:48.560,0:17:54.480
He made them very truthful and very honest 
and troubled and of the time, you know, but

0:17:54.480,0:17:58.480
I did feel there was a little too much emphasis. 
Just because somebody writes those characters,

0:17:58.480,0:18:04.640
that doesn't mean that the emphasis should be 
on that, right? I know that trouble I know it

0:18:04.640,0:18:10.560
troubles Jean, too. It troubles Gene. It troubles 
um it troubles a lot of people, but he's certainly

0:18:10.560,0:18:14.960
one of our He is what a great playwright. I 
mean, have you read the short stories? I've

0:18:14.960,0:18:18.160
read some of them. Have you read some of them? 
Have you read the little novels he wrote? Which

0:18:18.160,0:18:25.200
ones did you read? I read Miss Wyoff and My Son 
is a Splendid Driver and it's wonderful. Have

0:18:25.200,0:18:30.560
you read the unpublished ones? No, I have. Go in 
there and read the unpublished stuff sometime. Um,

0:18:30.560,0:18:35.280
it's fascinating. You know, it's and he writes, 
you know, there there are some people in this town

0:18:35.280,0:18:40.000
that I would love to know who they are because ob 
there's I'll tell you what he writes recurringly

0:18:40.000,0:18:47.120
in a lot of the unpublished work. There was an 
Italian family and the Italian family apparently

0:18:47.120,0:18:55.040
had a son who was like, you know, very um popular 
with the women and gorgeous and uh I would expect

0:18:55.040,0:19:03.680
Warren Batty is an Italian, that type. And um he 
writes repeatedly about this young girl having a

0:19:03.680,0:19:07.920
relationship with this in different versions 
of the story. He was trying to get it right.

0:19:07.920,0:19:15.200
He also writes about another boy that um in his 
last novel, The Boy from the Circus, which was

0:19:15.200,0:19:19.680
laying on his desk with the rejection notice when 
he went out in the garage and killed himself. He

0:19:19.680,0:19:26.240
received it, put it on the desk, and Helen came in 
and found the novel with the rejection notice and

0:19:26.240,0:19:33.200
walked out in the garage and he was gone. Uh but 
he was he had various drafts trying to get this

0:19:33.200,0:19:41.600
story right. And the story is about a boy who was 
in the merchant marines was a sailor or something

0:19:41.600,0:19:46.880
and he used to work in fields and he was older 
than the other kids but he ended up going to into

0:19:46.880,0:19:54.240
the independence college junior college and um and 
he was gorgeous and he caused some scandal because

0:19:54.240,0:19:59.200
he was in a um the reason I think this must be 
true is because he doesn't just write about it

0:19:59.200,0:20:06.480
once he tries to get the story right in different 
versions and uh someone was directing a a pageant

0:20:06.480,0:20:11.440
at the school and the kid was apparently dressed 
in tights or dressed in something small. Now this

0:20:11.440,0:20:19.120
is you know you're talking the 1920s and uh or 
I think it's a jock strap in one in one version

0:20:19.120,0:20:24.080
with glitter on it or something and caused a 
big scandal in the town because this teacher

0:20:24.080,0:20:29.920
or this person who put the the um the event 
together had this boy parading indeently in

0:20:29.920,0:20:35.360
front of the town. He writes that story over and 
over again. So, I suspect it's a true event. Um,

0:20:35.360,0:20:40.640
one of the stories Helen never wanted at the time 
to be published was he he wrote a lot about the

0:20:40.640,0:20:46.960
the um the two bankers wives. Do you know that 
story? Well, in Independence, Kansas, I know

0:20:46.960,0:20:52.560
that the there were feuding bankers and their 
wives, I guess, were pretty responsible for Well,

0:20:52.560,0:20:57.760
the wives are the whole thing. The wives were 
inseparable and the wives went to Europe together.

0:20:57.760,0:21:02.880
They went everywhere together, right? They were 
very different, but they he writes wonderful

0:21:02.880,0:21:07.280
funny stories about them. They went to Europe and 
they had learn they went to England and they had a

0:21:07.280,0:21:13.040
great time. They sent everybody postcards. They 
went to France and they apparently the story is

0:21:13.040,0:21:22.480
they got off the uh the train and one of them said 
lube leagues. And the other one said, "No, no, no.

0:21:22.480,0:21:27.680
It's le bagges." And she said, "No, it's Leagues." 
She said, "No, it's Lees." And she says, "No, no,

0:21:27.680,0:21:33.840
whatever it was." and they fought and the next 
thing you know one of the women came home. They

0:21:33.840,0:21:38.160
never spoke again. The ladies of the town split 
because they could never invite one. They could

0:21:38.160,0:21:42.320
never invite them both to the same function. It 
escalated to the point where the husbands who own

0:21:42.320,0:21:47.760
the one bank split up and then the other husband 
built a bank across the street to compete with

0:21:47.760,0:21:52.480
the other one and that's why there are two banks. 
But it's because these two women in independence

0:21:52.480,0:21:55.680
fought and this would have been like the turn of 
the century. So I mean something like that would

0:21:55.680,0:22:00.400
happen then, right? I mean, so those were the kind 
of things that thought, well, while these people

0:22:00.400,0:22:04.240
are still around, you know, we mustn't let them 
know that Billy exposed this sc or the man that

0:22:04.240,0:22:08.560
shot himself in the foot. That's another thing. 
You know, the man that shot himself in the foot,

0:22:08.560,0:22:21.760
Sinclair. Harry Sinclair. Um, Harry Sinclair 
had an affair with someone in Independence.

0:22:21.760,0:22:30.080
This woman then went off to Witchah or Kansas City 
and uh disappeared for nine months or whatever or

0:22:30.080,0:22:39.200
six months um and came back. Well, the next thing 
the people at Independence knew they were getting

0:22:39.200,0:22:46.160
mail from Harry Sinclair's wife and he about 
their daughter that they had. Uh and they didn't

0:22:46.160,0:22:54.080
even know that she had a daughter, you know, that 
they had a daughter. and um they were surprised

0:22:54.080,0:23:04.000
actually that the wife had even committed to 
having a daughter. Um, so years later when Billing

0:23:04.000,0:23:09.680
was in New York, he got a late night phone call 
from Truman Capot saying the princess I don't and

0:23:09.680,0:23:15.440
I can't remember the name. The princess so and 
so wants to meet you. And he it was like 11:00

0:23:15.440,0:23:19.440
at night and Bill said, "But wait." Oh, first he 
said, "I have a surprise for you. Somebody wants

0:23:19.440,0:23:22.720
to meet you." And he said, "You've got to tell 
me who it is because I'm not leaving my house

0:23:22.720,0:23:26.720
and getting dressed at 11 o'clock at night." So 
he says, "The Princess so and so." And he said,

0:23:26.720,0:23:30.000
"She really wants to meet me?" and and he thought, 
"You're not just making this up, Truman." And he

0:23:30.000,0:23:35.360
said, "No." And she was sort of an um she had 
notoriety because she was Harry Sinclair's

0:23:35.360,0:23:44.080
daughter who had married a very wealthy prince and 
she became the princess. So she she got there and

0:23:44.080,0:23:49.680
she did want to meet Billing. And he walked in and 
he was shocked when he first saw her because he

0:23:49.680,0:23:56.160
recognized her immediately. He she looked exactly 
like the woman in town that everybody knew had had

0:23:56.160,0:24:02.320
the affair with Harry Sinclair when he was a kid. 
So his reaction was startled to say the least. And

0:24:02.320,0:24:08.480
um they sat down and she said uh I want to ask 
you something. She said you know I'm adopted.

0:24:08.480,0:24:14.880
She said my parents um someone in Independence was 
pregnant and moved to what had the baby in Kansas

0:24:14.880,0:24:20.320
City and so they adopted me. And Billing realized 
she didn't even know that Harriet Sinclair was her

0:24:20.320,0:24:25.760
real father. her biological father. They had told 
her her whole life that she was somebody else's

0:24:25.760,0:24:33.840
child that she that that they had adopted. 
So she um Bill couldn't tell her, you know,

0:24:33.840,0:24:38.720
he knew exactly who that he knew Harry Sinclair. 
Who could he say that's your real father and your

0:24:38.720,0:24:42.880
mother was? He just couldn't bring himself to 
say he figured if they had told her, you know,

0:24:42.880,0:24:48.960
she would have been in her 30s or for this time 
maybe 40s. He couldn't tell her that that was her,

0:24:48.960,0:24:54.640
that he was a real father. Well, we need to 
find her and have her endow the festival. I

0:24:54.640,0:24:59.200
wonder if she's still around. Who knows? That's 
a wild story. I had heard that one before. Oh,

0:24:59.200,0:25:04.160
there's a lot of stories. I got somebody else 
here. I think Adam is here. So, did that Oh,

0:25:04.160,0:25:11.280
we I there many many things there and and uh how 
can I tell all of that? But I'll choose the best

0:25:11.280,0:25:15.840
and I'll I'll piece it together with things that 
we have from other people and tell that important

0:25:15.840,0:25:20.320
part of I wish you know I miss I wish I could 
talk this little I'm sure they're all gone now.

0:25:20.320,0:25:27.840
Those ladies. Oh, I love Stella and Nora. Stella 
and Nora. Oh, I didn't say Stella and Nora. Oh,

0:25:27.840,0:25:33.440
I Stella and Nora. What happened to the brother 
that lived in the attic? You remember the brother

0:25:33.440,0:25:40.880
that lived in the attic? Well, brother. Well, 
Steinbergers, you know, Steinberers were Well,

0:25:40.880,0:25:48.720
Steinberers are in picnic, you know, 
and well, they're in uh chemical.

0:25:48.720,0:25:55.840
I solved that. Okay. All right. So, we'll just 
visit informally here and I'll take some sound

0:25:55.840,0:26:04.400
bites here and there. Uh you you Brooklyn's 
home. So, uh how did you hear about or end up

0:26:04.400,0:26:13.200
in Independence? I first heard about the festival 
in American Theater magazine and it caught my

0:26:13.200,0:26:20.400
attention because it seemed like an really lively 
festival with important playwrights from all over

0:26:20.400,0:26:24.960
the country in the middle of nowhere. So, I 
was intrigued and I poked around a little and

0:26:24.960,0:26:30.960
heard about these playwriting residencies and saw 
that uh a couple of playrs that I really admire

0:26:30.960,0:26:36.640
including Melanie Marik had had lived in the in 
house and done this residency and and I wanted

0:26:36.640,0:26:43.280
to do it and so I I approached Peter and sent him 
some work and that's how how it all started. So,

0:26:43.280,0:26:49.760
you heard about it and approached him. I did. I I 
I did approach him directly and but I knew Melanie

0:26:49.760,0:26:54.880
Marik and asked her about it and she was one of 
the people who recommended me. So word on the

0:26:54.880,0:27:03.520
street is is good definitely. it it and actually 
uh it was probably close to two years ago that

0:27:03.520,0:27:09.920
I first wrote Peter and there wasn't the word 
there wasn't a lot of word on the street about

0:27:09.920,0:27:18.960
this res residency at that time and uh so so was a 
a little bit of a of a of a secret um but but but

0:27:18.960,0:27:24.160
the people who had been there that I spoke to were 
just raving about it and so I was determined to go

0:27:24.160,0:27:32.640
if I could. So for a lot of people in the audience 
uh at distribute in April have no idea about how a

0:27:32.640,0:27:40.320
play gets written. I mean they're they're nineto-5 
people with jobs and uh what does it mean to

0:27:40.320,0:27:48.320
someone like you to have a residency? What does 
that mean? Why? Um, well, it it's really a huge

0:27:48.320,0:27:56.240
gift because it's it's so it's so difficult 
to to survive as a playwright in in America

0:27:56.240,0:28:07.280
in 2005. And just to have the the the time and 
space to focus primarily on writing a play is is

0:28:07.280,0:28:16.000
extraordinarily rare. and and I I know that it's 
rare for even even the most successful playwrights

0:28:16.000,0:28:24.240
uh the most well-known playwrights. So, so it's 
just it's just the uh ability to to focus a lot on

0:28:24.240,0:28:31.600
on a play makes all the difference in the world uh 
in being able to to really enter in into the world

0:28:31.600,0:28:41.200
of the play and and let that become more real than 
than the noise on the street or juggling day jobs

0:28:41.200,0:28:50.720
or you know or other kinds of writing assignments. 
So, it's yeah, it's an enormous opportunity to to

0:28:50.720,0:28:55.520
complete a play in a different way. We interviewed 
someone the other evening and while we were

0:28:55.520,0:29:02.240
getting ready, he had his Blackberry out and he 
was scrolling through all of these emails and

0:29:02.240,0:29:08.960
and I thought, well, you can't even escape that in 
in Kansas, but there's so many distractions these

0:29:08.960,0:29:18.400
days. And uh so I I guess Independence would in 
some ways be kind of a uh safe haven or a little

0:29:18.400,0:29:26.720
more remote than Brooklyn. It it it's radically 
different. Um I was really able to lose myself in

0:29:26.720,0:29:35.200
in the work in a way that I'm rarely able to in in 
Brooklyn or or actually many other places. It was

0:29:35.200,0:29:42.640
really one one of the best writing residencies 
I've I've ever had. Uh I'm going to ask you to

0:29:42.640,0:29:49.840
hold that thought just because Right. Oh, right. 
Exactly. So relevant. I could even play that and

0:29:49.840,0:29:56.480
people say, "Oh, yeah. They're in New York. How 
do you concentrate in New York?" But we'll let

0:29:56.480,0:30:01.040
that get out of the way a minute and I'll ask 
you that again because that's a good statement.

0:30:02.160,0:30:09.120
This seems to be a crossroads here 
for Yeah. Yeah. Lot of sirens.

0:30:09.120,0:30:15.520
Okay. I think we're gone there. So, so 
Independence is a haven. It's really pretty

0:30:15.520,0:30:21.120
different from where you work in Brooklyn. It's 
It's radically different than than try trying

0:30:21.120,0:30:28.320
to work in Brooklyn. uh I was really able to to 
lose myself in the work there in a way that I'm

0:30:28.320,0:30:34.800
rarely able to in in New York. Uh because of 
the quiet because of the support from the Inch

0:30:34.800,0:30:43.120
Center. Uh I got an enormous amount of work on on 
two full-length plays accomplished there. So what

0:30:43.120,0:30:49.920
were those plays? What were you working on? Um 
one was something I'd been preparing to write for

0:30:49.920,0:30:59.680
some time. It's a play inspired by uh the freedom 
summer in 1964, the civil rights movement and for

0:30:59.680,0:31:06.960
me kind of an ambitious play requiring a lot of 
research um as well as finding a way in and I I

0:31:06.960,0:31:15.120
don't know if I could have uh begun that play in 
in Brooklyn, New York uh for lots of reasons and

0:31:15.120,0:31:22.160
I was really able to to begin that play which 
was for me a a huge accomplishment and actually

0:31:22.160,0:31:29.120
now uh about a year later I'm I'm finishing 
that play but definitely that I got a great

0:31:29.120,0:31:35.920
running start and the other piece was was a 
at that time a brand new two character play

0:31:35.920,0:31:42.960
uh that I was able to really advance both because 
of the time writing in the in house and having a

0:31:42.960,0:31:51.920
workshop directed by Peter at the center which was 
a a great help in terms of of focusing the play,

0:31:51.920,0:31:57.760
getting getting response from an audience, hearing 
questions from these two amazing actors who spent

0:31:57.760,0:32:04.320
several days working on it. So, it's not only 
time to do the writing, but Peter then the

0:32:04.320,0:32:13.600
inch festival then pro a little bit intimidating 
and it's here I am holding forth about my plays.

0:32:13.600,0:32:19.360
That's what it's all about. That's what what the 
inch festival is all about, I think, for people

0:32:19.360,0:32:25.760
who've come in and gotten to sit down at lunch 
with Arthur Miller, Neil Simon. You know, it's

0:32:25.760,0:32:31.600
quality time, too. They're just less distracted 
than if they're at a lunch in the Sardis. I

0:32:31.600,0:32:38.320
think Oh, definitely. People who've gone to the 
festival have just remarked many times, I can't

0:32:38.320,0:32:46.160
believe I was in Independence, Kansas having fried 
chicken at Riverside Park with Peter Schaffer.

0:32:46.720,0:32:55.600
Um but you said I was starting to say that it's 
not just the time to write the play but then the

0:32:55.600,0:33:01.200
festival also provides this opportunity to hear 
the play which again most people don't think about

0:33:01.200,0:33:08.480
that as a part of that whole process how important 
that is to hear it that really was one of one of

0:33:08.480,0:33:16.000
the best parts of the residency was was working 
with Peter on this workshop where he brought two

0:33:16.000,0:33:23.360
terrific actors from New York to spend several 
days mostly around a table uh reading the play,

0:33:23.360,0:33:29.840
asking questions about the play for that very pure 
process aspect also putting together in a pretty

0:33:29.840,0:33:36.640
short time this really strong public reading and 
that was attended by by a good cross-section of

0:33:36.640,0:33:44.880
people from Independence who were a great audience 
uh very open-minded um knowledgeable about about

0:33:44.880,0:33:53.040
theater. Um, cur curious about about theater and 
and there was a talk back afterwards and really

0:33:53.040,0:34:02.160
really useful to get the responses from from this 
audience from independents. Um, not not jaded in

0:34:02.160,0:34:10.400
any way. Um, but but certainly not for the most 
part not not naive either about about theater. Um,

0:34:10.400,0:34:17.600
and frankly I, as Peter could tell you, I I'm not 
a fan of of talkbacks for for lots of reasons. Um,

0:34:17.600,0:34:22.880
I like feedback, but I'm not a I don't love 
getting up there and just sort of, you know,

0:34:22.880,0:34:30.800
hearing hearing audienc's instant responses to a 
reading. But this this was um the best talk back

0:34:30.800,0:34:39.600
I'd ever had. Um, again, just because the audience 
came to it with a real kind of curiosity about

0:34:39.600,0:34:45.040
new work that there was sort of no prejudgment of 
like, oh, well, he better prove to us that he can

0:34:45.040,0:34:50.640
write a play. Um, but just good good questions 
about about the play and good responses to to

0:34:50.640,0:35:00.000
their experience of the play. And I have to think 
that that is a growing awareness on that group of

0:35:00.000,0:35:06.640
people's part. uh from having seen more about 
the playwriting process because I'm sure the

0:35:06.640,0:35:12.400
first time they heard a reading of a play at 
a festival, they expected it to be a finished

0:35:12.400,0:35:20.240
product and they're now learning to that they 
can participate and uh that's good, right? And

0:35:20.240,0:35:25.760
and but that's that's sometimes why I don't like 
talkbacks because you'll get audiences who think

0:35:25.760,0:35:31.840
that participation means that they they can then 
now begin to rewrite your play for you. And it

0:35:31.840,0:35:38.000
wasn't it wasn't that at all. It w it was it was a 
real sort of joy about sharing in the process and

0:35:38.000,0:35:45.520
and just wanting to share their their impressions 
of the experience. Pretty sophisticated really.

0:35:45.520,0:35:51.680
uh knowing that that what was most helpful to me 
was was hearing about their gut reactions to this

0:35:51.680,0:35:59.600
piece. You lived in the inch house and uh what 
about meals, transportation, and so forth? How

0:35:59.600,0:36:08.320
does that work for for you? Well, meals are one of 
the great things is is that you you can eat really

0:36:08.320,0:36:16.960
well ve very inexpensively. I I still I still am 
sentimental about about how how well you could

0:36:16.960,0:36:24.160
eat for for next to nothing there and how how easy 
it was to just get get food. Um and getting around

0:36:24.160,0:36:33.040
is is simple. Well, I mean, you you did need a car 
um to get certainly to get to the college usually,

0:36:33.040,0:36:38.640
but uh it's it's such it's such a small town 
that it wasn't it wasn't at all daunting to

0:36:38.640,0:36:46.000
uh to leave leave to teach a class, you 
know, 10 minutes, but well, I didn't do that,

0:36:46.000,0:36:51.120
but to but to leave for a class shortly before it 
begins. there's sort of not the the like in New

0:36:51.120,0:36:56.320
York if I have to go into town to teach a class 
I really have to start thinking about it a couple

0:36:56.320,0:37:02.800
hours in advance and and there's just so none of 
that there. It's it's um the ability to get to get

0:37:02.800,0:37:10.560
to the supermarket or to get over to the in center 
is is isn't a big part of of planning your day. So

0:37:10.560,0:37:18.000
so that makes makes you much more able to focus 
on on the work. And so did did you teach high

0:37:18.000,0:37:23.840
school or college classes? I got to teach both. I 
got to teach at uh Independence Community College

0:37:23.840,0:37:32.640
playwriting workshop. Um but also and even more 
meaningful to me was I got to teach a playwriting

0:37:32.640,0:37:39.120
workshop at at a high school in Sedan, Kansas, 
which was one of the great teaching experiences

0:37:39.120,0:37:47.920
I've ever had. It was it's it Sudan is a town 
uh considerably smaller than Independence and

0:37:47.920,0:37:54.160
uh the students there most of them had virtually 
never seen live theater and it was really an

0:37:54.160,0:37:59.680
experience of watching them discover what theater 
is and that they could put their stories up there

0:37:59.680,0:38:09.680
on stage and and that that experience really 
transformed them and was so exciting to see that

0:38:09.680,0:38:15.040
that theater really does have the power to change 
people's lives. That was that was what te teaching

0:38:15.040,0:38:24.800
at Sedan was about for me. That's great. Did 
they see their own works read by they did uh we

0:38:24.800,0:38:32.560
work mostly in Sudan. I co-taught the class with 
with my co-resident Keradvitch. So we work with

0:38:32.560,0:38:39.840
them for for the eight weeks of the residency and 
then they actually came by bus the 40 minutes to

0:38:39.840,0:38:48.480
independence to the ine theater and uh we spent a 
long day rehearsing uh readings of the short plays

0:38:48.480,0:38:55.840
that the 10 students in this from this small high 
school had written. Um people from the in center

0:38:55.840,0:39:01.360
community performed in the plays for the most 
part. Um, so there were even some professionals

0:39:01.360,0:39:08.640
um like Hannah Joyce Hovind uh performing in 
these in these pieces and and that that was really

0:39:08.640,0:39:13.040
um an extraordinary climax for them because 
they've been working on these plays and and really

0:39:13.040,0:39:19.040
enjoying it. Um but again had didn't really know 
much about theater and then suddenly to see it up

0:39:19.040,0:39:28.080
there on stage and to see an audience captivated 
by their stories was was so so meaningful to them.

0:39:28.800,0:39:37.120
So, what's uh your back in Brooklyn? Um, have 
you recommended to anyone else that they come

0:39:37.120,0:39:42.800
out enthusiastically? Yeah, I'm I'm pushing 
a couple of people because I know that that

0:39:42.800,0:39:53.280
it'll be a great experience for them. Um, def 
definitely I I I think that that most playwrights

0:39:53.280,0:40:00.080
uh would would want to do this um because it 
because it In some ways, you can you can make

0:40:00.080,0:40:06.080
of it what you want. So, so in other words, 
there's there's sort of no agenda of well,

0:40:06.080,0:40:13.120
you must have a play that's at a certain level 
in order to workshop it. Uh Peter was wide open

0:40:13.120,0:40:20.320
to the fact that that the play we workshopped 
was was hot off the printer. um pretty pretty

0:40:20.320,0:40:28.400
messy and and just just well we'll we'll it 
was pretty much a playwright driven approach

0:40:28.400,0:40:34.640
to developing the play which which was a great 
opportunity. Um often you can't get a workshop of

0:40:34.640,0:40:41.920
a play unless it's at a certain point and unless 
it's the I didn't I didn't have to audition the

0:40:41.920,0:40:50.640
play. Peter said what play do you want to work 
on? and and that's that's a rare opportunity.

0:40:50.640,0:40:56.400
You've said many things there that I can use. 
And uh I I hear I'm already in my head doing the

0:40:56.400,0:41:02.880
editing between you and an Oh, good. uh may even 
have to go over to Sedan and get some pictures.

0:41:02.880,0:41:08.400
That'd be great. Oh, I I mean I could go on and 
on about Sedan. Um, I know it's not that relevant,

0:41:08.400,0:41:16.880
but but it w it uh um well I so it may not be 
as relevant to the to the independence audience,

0:41:16.880,0:41:23.440
the Sedan thing, but I think we're trying to show 
that uh it's not just independence anymore. It's

0:41:23.440,0:41:28.560
uh with Peter's guidance, it's reaching out into 
area high schools and colleges at 24-hour plays

0:41:28.560,0:41:33.120
that he does gives a lot of people a taste of 
theater that, as you say, many of them wouldn't

0:41:33.120,0:41:40.880
have otherwise. So, Right. And I I got to to 
work to spend a long night on the 24-hour high

0:41:40.880,0:41:48.240
school plays with high school students from all 
over all over the area. And and uh again, it was

0:41:48.240,0:41:53.920
something I was a little unsure how how are novice 
playwrights going to write a play in in 24 hours,

0:41:53.920,0:42:00.320
but uh they did. They were really good plays. And 
I have I've seen the college production. I haven't

0:42:00.320,0:42:08.720
seen any of the high school 24-hour plays. And you 
felt they were pretty they did it. Exactly. Yeah.

0:42:08.720,0:42:15.040
Yeah. Wow. Um and and that I think that's one of 
the other great things about the residency, things

0:42:15.040,0:42:24.400
like the 24-hour plays. I actually got to see um 
meet me in St. Louis, which was the the Niwala

0:42:24.400,0:42:31.120
production that year and or just the way that 
people come together for the events at the Ine

0:42:31.120,0:42:37.840
Theater. It's it's theater there really seems to 
be something that that the community participates

0:42:37.840,0:42:45.760
in. It's it's um it's so it's so different from 
from theater in New York. And uh I guess in some

0:42:45.760,0:42:53.120
ways some of it is some of it like the knee walla 
play is community theater. Um, but that's that's

0:42:53.120,0:43:01.120
a really great thing to have to have theater be 
not just an entertainment or some elite thing,

0:43:01.120,0:43:10.000
but something that that's um a a big important 
happy social event for for a whole community that

0:43:10.000,0:43:16.400
everybody gets involved in. I think that's getting 
back to to to the roots of of why theater is a

0:43:16.400,0:43:23.920
really essential thing, especially in this country 
for for fostering community and giving people a

0:43:23.920,0:43:31.440
sense of, you know, where they fit into their 
their community. And community seems to become

0:43:31.440,0:43:39.440
a dominant word used in these past few days as 
we've talked to people. It's I'm beginning to find

0:43:39.440,0:43:46.080
in my mind a common theme there that I'm going to 
build around on the for the tribute is community.

0:43:46.080,0:43:51.760
I you know I haven't been in a lot of I haven't 
spent a lot of time in small towns but I do

0:43:51.760,0:44:01.520
think that there's something really unusual about 
independence as as a a community that that has an

0:44:01.520,0:44:08.720
appetite and a love for the arts and artists. Uh 
it's a the I think I think the sort of the serious

0:44:08.720,0:44:13.440
artists there may be a small community but they're 
they're unusually ardent and then the people who

0:44:13.440,0:44:21.920
aren't artists are are really so hospitable to 
to to the playwrights and the people there. Um,

0:44:21.920,0:44:26.720
you know, having to having to get a haircut and 
and hearing the enthusiasm of the barber about

0:44:26.720,0:44:32.880
the festival and how she'd done costumes over 
there is uh just makes you realize that that it's

0:44:32.880,0:44:42.560
there's a real fabric in in that town supporting 
this this thing. Very good. You've said many nice

0:44:42.560,0:44:48.960
things I can use. Oh, I hope so. I mean, take take 
what's helpful and the and it's good for me as an

0:44:48.960,0:44:54.560
independent person to hear that outsiders think 
see that fabric and that community still alive

0:44:54.560,0:45:00.720
there because the town's changed some in my time 
that I've been there and so I wonder are we losing

0:45:00.720,0:45:08.800
something but it sounds like it's still there. 
Thanks. Oh, thank you. He made fun of her. Oh,

0:45:08.800,0:45:15.760
he did. Yeah. What did he say? You know, just kind 
of guess Oh, he made fun of how you know her sort

0:45:15.760,0:45:22.800
of model. He was very serious last night talking 
about Africa and so forth. The AIDS project. All

0:45:22.800,0:45:30.800
right. Cell phones off, candy wrappers unwrapped. 
Yeah. Okay. We're going to talk about Independence

0:45:30.800,0:45:38.160
and uh Okay. Um so we've talked about to several 
of the people that been back to Independence,

0:45:38.160,0:45:45.840
but as you suggested last night, you're probably 
on the the younger end of the spectrum here. You

0:45:45.840,0:45:51.360
make our average age look good. So, this is good 
to be talking to somebody. I'm one of the kids.

0:45:51.360,0:45:59.280
You're one of the kids, the the kids. Uh, how 
did you come to find out about the festival,

0:45:59.280,0:46:04.480
get invited there? How did Peter find you? How 
did you end up there in what would have been three

0:46:04.480,0:46:11.920
years ago now for Arthur Lawrence? I think um from 
what I've been able to gather in my two years at

0:46:11.920,0:46:20.240
the festival, it's a in many ways a family affair 
and my involvement with the festival was literally

0:46:20.240,0:46:27.200
uh through family. Peter Alenstein's brother David 
uh had directed me in a production of The Chosen

0:46:27.200,0:46:34.640
with Theodore Beckel in Miami and in Jersey at the 
Papermill Playhouse. Um, and just so happened that

0:46:34.640,0:46:44.880
um, Peter was looking for someone who could play 
Con from Arthur Lawrence uh, Home of the Brave

0:46:44.880,0:46:51.440
and young Jewish fellow with lots of problems 
and I had played a young hidic fellow with lots

0:46:51.440,0:46:59.200
of problems. So, it was a no-brainer and David 
introduced me to Peter. what was a wonderful find

0:46:59.200,0:47:05.280
because I was on the other end of the uh project 
in Witchah saying who are we going to get to do

0:47:05.280,0:47:13.840
this says I have somebody perfect in mind and so 
it was a happy accident it was uh you're a Jersey

0:47:13.840,0:47:19.280
boy so what was it like coming to Independence 
Kansas had you been to Kansas I had been to

0:47:19.280,0:47:26.320
Kansas because uh I had an itinerant upbringing we 
actually lived in Omaha Nebraska for what I call

0:47:26.320,0:47:32.720
my Tom Sawyer years when I was about 12, 13, you 
know, um got a corn field in the backyard and we'd

0:47:32.720,0:47:40.720
go out into the back backyard with our BB guns 
and sort of have adventures. Um and during that

0:47:40.720,0:47:45.120
period when I lived in Nebraska, we had visited 
Kansas City and we had been through Kansas and

0:47:45.120,0:47:53.600
visited the Midwest, took the opportunity to poke 
around. I hadn't been back um until I guess what

0:47:53.600,0:48:04.080
what was it 2003 or no 2004 um and had been a 
New Yorker for almost 10 years at that point. So

0:48:04.080,0:48:11.040
uh it was quite an experience to wake up at 6:00 
in the morning New York City and hail a cab and

0:48:11.040,0:48:19.360
end up in a town that maybe doesn't even have any 
cabs. I couldn't find any when I got there. But um

0:48:19.360,0:48:25.680
a a very surreal experience 11 hours later to be 
in a in a town of 8,000 when you were in town of 8

0:48:25.680,0:48:32.960
million just that morning. 8 million. I lost track 
of New York. Yeah. It's probably growing a little

0:48:32.960,0:48:40.000
faster than Independence Kansas is these days. 
Maybe. Although the inch festival has uh brought

0:48:40.000,0:48:48.080
some a lot of high profile to to the little town 
of independence. But it wasn't maybe quite as much

0:48:48.080,0:48:53.520
a shock to you to come out from New York to Kansas 
as it has been for some of our people who haven't

0:48:53.520,0:49:01.200
been to the Midwest. Maybe not. Um, however, uh, 
it makes for a very, uh, a very interesting four

0:49:01.200,0:49:08.000
days because you have, you know, your urbanites 
from New York or LA converging on this tiny little

0:49:08.000,0:49:14.080
town. Um, and there's nothing that brings you 
closer to the other uh strangers in a foreign

0:49:14.080,0:49:20.240
land than than that dynamic, you know, uh kind of 
band together and try to figure out where okay,

0:49:20.240,0:49:26.240
what is this and and uh how do we survive 
here? And and by the end of the four days, it's

0:49:26.240,0:49:33.600
uh it's just been a wonderful experience. Yeah. To 
be welcomed with such open arms when you come from

0:49:33.600,0:49:42.400
two cities that are so doggy dog, you know, your 
every day is a fight is a a really nice feeling.

0:49:42.960,0:49:51.200
Uh, I heard them talking in the play last 
night about the neighborhood and uh, yeah,

0:49:51.200,0:49:58.720
Independence is a neighborhood, I guess. But, 
uh, is there different similarities between a a

0:49:58.720,0:50:07.200
East Coast neighborhood and a Independence Kansas 
community? I think so. I think there's a there's a

0:50:07.200,0:50:14.240
Midwestern gentility that I remember from when 
I was living in Omaha, Nebraska. And u there

0:50:14.240,0:50:20.560
certainly is a is a gentility in Independence that 
and reservedness to sort of play your cards or

0:50:20.560,0:50:27.760
keep your cards close to the vest. Um that there 
there is an indefinitely in New York or Jersey.

0:50:27.760,0:50:34.880
You sort of tell people what you think of them um 
in no uncertain terms. Um, luckily I'm singing a

0:50:34.880,0:50:40.720
very difficult show vocally. So, uh, it's bad for 
my voice to yell at anybody. I I can't be as much

0:50:40.720,0:50:48.480
a New Yorker as I have been in the past. Now, I 
remember I'm a canon. I remember the first time

0:50:48.480,0:50:56.480
coming to New York and just being very uh put 
off by these people who were in my face and and

0:50:56.480,0:51:00.880
just got to the point pretty quick, you know. 
Well, they say I mean they say that New York

0:51:00.880,0:51:08.400
is the smallest is the largest small town in the 
world and uh there is a you know you stick around

0:51:08.400,0:51:13.200
New York long enough longer than we spend in 
independence longer than four days and you figure

0:51:13.200,0:51:20.480
out that there's a there's love under the uh the 
f-words that the litany of four-letter words that

0:51:20.480,0:51:28.720
are coming your way. I finally figured that out. 
Yeah. So then you made one uh trip to Kansas and

0:51:28.720,0:51:33.440
we invited you back. What' you come back for 
the second time to help with? The first time

0:51:33.440,0:51:43.280
was Arthur Lawrence. The second time was Tina How. 
Both very very very New York playwrights but very

0:51:43.280,0:51:49.600
different New York playwrights. Arthur Lawrence 
as a Jewish playwright who started writing plays

0:51:49.600,0:51:56.960
about the Jewish experience in the war. Tina how 
as an upper east side socialite. Uh both of them

0:51:56.960,0:52:04.560
in their own way I think were were uh it seemed 
to me a little shell shocked by by suddenly being

0:52:04.560,0:52:12.240
in the middle of of the Midwest and a tiny little 
town. Um and both equally but differently charmed

0:52:12.240,0:52:20.720
by that experience too. And the town took to each 
other too in their own ways. Oh yeah. I mean,

0:52:20.720,0:52:29.920
Lawrence sort of irrassable individuality and 
and and and Tina How's um uh wit were both I

0:52:29.920,0:52:39.120
think charming at least to me and and I think the 
audiences appreciated appreciated that too. Um you

0:52:39.120,0:52:46.720
did a scene uh tell me about it here in a second 
uh 14ina how and and just as an aside I really

0:52:46.720,0:52:55.120
appreciated how much uh preparation you had made u 
just it was ready to go when you and Robin stepped

0:52:55.120,0:53:02.000
on the stage there wasn't much more to do and yeah 
initiation by fire and I remember calling you or

0:53:02.000,0:53:08.960
emailing you and saying u very hesitantly would 
you consider wearing a you know bathing trunks

0:53:08.960,0:53:16.000
or something for this and describing the scene 
and hey you did the whole gamut so tell tell

0:53:16.000,0:53:20.720
this audience about the scene and we'll probably 
use some B-roll of it while you're talking. Well,

0:53:20.720,0:53:29.680
it it was um much like the prior year. It's 
there's a a lot of activity in four days and

0:53:29.680,0:53:36.480
um you know, you're living a busy life in 
New York or wherever you LA. Um and suddenly,

0:53:36.480,0:53:42.080
uh there's this 4-day conference to go to and 
you've got scenes to prepare. And I mean, I spent

0:53:42.080,0:53:47.760
a lot of time on the plane out there making sure I 
was, you know, on top of the scripts I was reading

0:53:47.760,0:53:56.880
and that scene in particular. Um, I gave special 
u attention to because it was part of the the

0:53:56.880,0:54:02.320
uh the big presentation for Tina How and I didn't 
want to let her down. I knew I'd be meeting her

0:54:02.320,0:54:08.160
for the first time. And if I had to do it in a 
bathing suit, well, that's the price you pay for

0:54:08.160,0:54:16.000
in immortalizing Tina House. one of Tina House's 
greatest plays in the festival. Well, probably you

0:54:16.000,0:54:20.720
almost had to do the whole festival in bathing 
suit. I remember you got in on a Tuesday night,

0:54:20.720,0:54:27.360
I think, two in the morning. I met you some 
horrible hour and they lost your baggage in W. No

0:54:27.360,0:54:33.840
baggage. Yeah, it could be worse. It was It's only 
a four four day conference, so it could have been

0:54:33.840,0:54:41.040
worse. But yeah, that's a little harrowing to not 
have your your personal effects. They retrieved it

0:54:41.040,0:54:46.640
though. I hope that they did. They did. It all it 
all worked out in the end as uh everything seems

0:54:46.640,0:54:52.480
to at the end. It's it's a frenetic four days 
and yet everything culminates in a happy ending.

0:54:54.480,0:55:02.800
uh four days and and I'm always amazed uh at how 
busy Peter keeps people but uh people seem to like

0:55:02.800,0:55:07.760
to be busy there who come out for the four days. 
Oh yeah, it's exhilarating and everyone's equally

0:55:07.760,0:55:14.880
as busy and it's uh creates a little fraternity, 
you know, of the people that you come together

0:55:14.880,0:55:21.520
with in many cases strangers you've never met 
before. uh people who are you know that live in

0:55:21.520,0:55:26.800
in New York if if you're from New York or in LA 
and um you don't have any opportunity to really

0:55:26.800,0:55:32.000
meet each other and suddenly you're all working 
frenetically to put these things together um in

0:55:32.000,0:55:38.320
a very short span of time. Um and I've maintained 
relationships with the people I've met. It's it's

0:55:38.320,0:55:45.520
almost like um theater camp for grown-ups except 
you're you know this stuff you're doing is far

0:55:45.520,0:55:51.920
more weighty than than uh you know a pageant for 
your parents. But the but the the camaraderie is

0:55:51.920,0:55:58.880
uh is is similar and unique. You don't get a 
lot of opportunities for conferences so much

0:55:58.880,0:56:05.200
in the theater because what what is really your 
conference is your rehearsal period with your cast

0:56:05.200,0:56:10.080
or whatever. But uh but unless you're working on a 
production with other people, sometimes it's hard

0:56:10.080,0:56:16.720
to come together. And this is a really great way 
of uh having a reunion of the two coasts, so to

0:56:16.720,0:56:22.400
speak. That's a great uh theater camp for adults 
is going to make it into the evening. I can tell

0:56:22.400,0:56:30.560
you that. That's great. Uh what what I've learned 
from visiting with people this time uh asking them

0:56:30.560,0:56:38.080
about their trips to independence that surprised 
me was uh the amount of interconnection and uh

0:56:38.080,0:56:43.760
growing experience that it is for the actors 
and directors and producers who come in. Uh I've

0:56:43.760,0:56:49.840
always assumed that it was for us in Kansas and 
this was kind of an imposition to ask all of you

0:56:49.840,0:56:55.280
to come there. No, it's not an imposition. And the 
other thing that I think is really exciting about

0:56:55.280,0:57:02.560
it is that it's a celebration of the playwright. 
And um just personally, I've been lucky enough

0:57:02.560,0:57:12.480
u in my you know young life as an actor to almost 
exclusively originate roles or do plays that are

0:57:12.480,0:57:16.800
new enough so that the playwright is still in 
the room. I think I've only done two things

0:57:16.800,0:57:23.760
where the playwright was no longer living or 
wasn't in the room. Um, and so to come to to

0:57:23.760,0:57:29.520
be so used to working with a playwright and to 
see the excitement in a playwright uh when you're

0:57:29.520,0:57:37.040
breathing words life into the new words that 
they've written or they're writing words rewriting

0:57:37.040,0:57:43.920
so that things fit you, you know, to to be at that 
level of um collaboration with playwrights and

0:57:43.920,0:57:50.160
then to come and see uh and to help uh contribute 
to what is essentially a roast for a playwright

0:57:50.160,0:57:58.640
who's had a a you know a a long and varied career 
and see the joy on their faces when they go back

0:57:58.640,0:58:05.040
and remember when they were writing for actors who 
were breathing the first life into the characters

0:58:05.040,0:58:12.480
they had written. I mean that's a it's a kind 
of nice uh it's it's nice to see that cycle

0:58:12.480,0:58:18.400
um since I'm at the beginning of it. You 
are at the beginning an exciting beginning.

0:58:18.400,0:58:29.040
um April 2005. You're there to help with Tina How 
and uh none of us know that in the background is

0:58:29.040,0:58:35.760
uh a next chapter spinning in your life. I guess 
you knew a little about that. Well, when when when

0:58:35.760,0:58:42.080
did we do it? And and the 20th of April around 
there. About 20th. Yeah. So about 10 days prior,

0:58:42.080,0:58:50.800
I had received my um offer to star in my first 
Broadway show ever, and negotiations had just

0:58:50.800,0:59:02.320
begun. Um I was uh privately nursing plethora 
insecurities and and worries. Um was a big deal

0:59:02.320,0:59:08.480
and now it's come to successful fruition. But 
then I was a I was a mess. So, it was a nice

0:59:08.480,0:59:16.800
um a nice escape from that private turmoil to to 
uh to have something external to myself that I

0:59:16.800,0:59:24.480
had to to partake in. None of us knew there 
was any turmoil going on. You were focused.

0:59:24.480,0:59:36.880
Most actors do have turmoil going on 247. So, now 
you know. Well, u you're you're one more you're

0:59:36.880,0:59:42.400
a different kind of story for the end festival 
that that you're an I knew you win story. So,

0:59:42.400,0:59:47.520
we're all going to be watching back there and 
cheering for not only the success of this play,

0:59:47.520,0:59:54.240
but all the future plays. Well, thanks. I wish I 
could be there. This is uh this is one I'm sorry

0:59:54.240,1:00:02.400
to miss. Well, we'll get you back there someway, 
I'm sure, someday. Um, but for the record on tape,

1:00:02.400,1:00:08.480
I want to say that last night was just an 
exciting night in the theater. Thanks. Such

1:00:08.480,1:00:14.800
talent. It's great. Thanks a lot. And you said 
some wonderful things. Exactly what I want to

1:00:14.800,1:00:19.920
hear. Good. I'll sprinkle you in. You'll be 
on one of those screens several times. You

1:00:19.920,1:00:23.920
know what it's like out there. So, it's a lot 
of fun. I can't wait to get the DVD. Yeah. And

1:00:23.920,1:00:30.480
we'll send we'll send you a DVD when it's all 
done. When it's all edited. Right. All right.
Language
En-US en-US
Item sets
Videos